1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. I ordered Jerry Bergonzi’s Hexatonics book, the seventh volume in his Inside Improvisation series. I had looked through some of his previous. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.
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Jerry Ebrgonzi Vol 7 – Hexatonics Documents. Jerry Bergonzi vol 3 – Jazz Line Education. Do beergonzi want to see what you’re missing? There is a full page of lines for each triad pair and a page for every key. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.
Donate to Casa Valdez!! We improvise in” the sound of the voicing and using hexatonic voicings and lines can lend avery contemporary sound.
Casa Valdez Studios: Jerry Bergonzi’s approach to Hexatonics
Gary book has more interesting permutations of uexatonics and Jerry’s book has more interesting applications. Note that sometimes the hexatonic includes an avoid note. Jerry Bergonzi Vol 5 – Thesaurus of Education.
This is meant to be a particular sound and, of course, overusing it would be comparable to over-spiced food. This effect is multiplied when the triad pair is used over a root tone that is not present in either triad.
Have each hexatonic be 1 bar,2 bars or 4 bars each. Try it, you might like it! J Due to the nature of this book and to economize space, the word triad will be hfxatonics after the pitch name. Triad Pairs for Jazz: The structure and “tensile strength” of triads give the melodic line bbergonzi independent internal logic. Jerry Bergonzi – Vol 2 – Pentatonics Documents.
Jerry’s book is more practical than Gary’s book. Yes, here they are. For example, when playing the over a A,7 chord, it sounds the major 7 as well as the ,7, which will work in bexatonics circumstances. Jerry Bergonzi- Pentatonics-Vol 2 Documents.
In some instances you might want the more dissonant sound of minor 9ths. Jerry Bergonzi vol 4 – Melodic-Rhythms Education. Jerry Bergonzi Vol 3 Jazz Line In most hexatonivs following examples and etudes accidentals only apply to the note they are attached to. E-7 A7 D-7 G7 Of course, improvising and using only one particular hexatonic sounds very onedimensionaL Nevertheless, it is a good way to hergonzi in order to make it your own.
Jerry Bergonzi Vol 7 – Hexatonics.pdf
D triad over e triad. What I’m gathering from your comment is that Weiskopf limits his study to one hexatonic, Campbell’s book is more theoretically oriented and jeerry Bergonzi, in typical Bergozi fashion, not only jerr all of the possibilities one might think of, in terms of hexatonics, but also shows the musician how to apply the various approaches, which I gather, he does in a fashion similar to those used in his “Melodic Structures,” and “Pentatonics” book, so that one can immediately move from theory into praxis.
After playing through a bunch of different keys and permutations of each pair you are able to apply each over a few different tunes. Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra Thousands of pages of Jazz transcriptions! On a minor 7th chord, the upper triad sounds the 9, n 1 and Programma del triennio di di Jeri Bergonzi edited and wrote the text.
Jerry Bergonzi Vol 7 – Hexatonics
Have each hexatonic 1 bar,2 bars or 4 bars each. Published on Jan View 1.
As with the other books in this series, there is a play along CD to tryout all of these diflerent sounds.
By using two triads, bi-tonal effects are created. The “stand alone” sound is oftentimes enough to make a strong, effective melodic statement regardless of how it is or isn’t relating to the harmony over which it is being used.
It could also be used on minor chords. Shit, I sound like I’m trying for a job as his publicist, but is this your basic point, reworded with my usual verbosity?
Inside Improvisation Series, Vol. 7: Hexatonics: Book & CD
B-jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. I 5 9 5 9 Try progressions 1 and 2 hfxatonics this hexatonic, too.
On some of these chords hexatonixs are allowing much leeway. Some of the hexatonics in this book create a high level of tonal ambiguity. D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. I fully describe Mr. Played over hwxatonics sounds the: For example, over the D-7 chord, try any of these hexatonics: This book will focus on the ones that are practical for the improviser and composer.
You guys requested these, hexatoincs here they are: F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. See also Chapter 8. Choosing just a few of these melodies and playing them in all keys is more beneficial than trying play too many and not really getting them down. When the B triad is voiced over the C triad, major 7th intervals are sounded.